TheJakartaPost

Please Update your browser

Your browser is out of date, and may not be compatible with our website. A list of the most popular web browsers can be found below.
Just click on the icons to get to the download page.

Jakarta Post

Questioning history through Indonesian cinema

Most movies loaded with history are intended to reenact a historical event or to glorify a historical figure. But is there still room for experimentation?

Tertiani ZB Simanjuntak (The Jakarta Post)
Premium
Jakarta
Sat, January 23, 2021

Share This Article

Change Size

Questioning history through Indonesian cinema Mind-bending collage: A still from 'Genre Sub Genre', an experimental short film by Yosep Anggi Noen, challenges the notion of film as documentation in this scene, which shows a giant paper boat sailing on a lake. The award-winning film was supported by the Museum of East Nusa Tenggara. (Courtesy of mubi.com/-)

H

istorical movies don’t even need to be all that factual. A typical example is the many movies with plots that reference Adolf Hitler and his Nazi Party, his personal life, the Holocaust, and the world war he started during his dictatorship.

Quentin Tarantino’s critically acclaimed Inglourious Basterds and Taika Waititi’s Jojo Rabbit, as well as satirical comedies by German filmmakers like David Wnendt’s Look Who’s Back and Sönke Wortmann’s How About Adolf?, are just some of the hypothetical (alternative history) biopics we can watch today.

In comparison, the catalog of Indonesian historical movies is relatively pale, with Azhar Kinoi Lubis’ Surat Cinta Untuk Kartini (The Postman and Kartini, 2016) the most recent example. The film tweaks the life story of the national heroine to involve a romantic affair with the mailman.

“As a movie buff myself, I’m bored of how Indonesian films inspired by historical events or people are presented,” said filmmaker Yosep Anggi Noen.

“They are always linear and carry the nationalist utopia [narrative] that leaves no room for viewers to start a conversation about [real] history,” he added.

He was speaking during “History on the Screen” as part of Bingkis (Bincang Kamis), a Goethe-Institut Indonesien public discussion series that aired on YouTube every other Thursday from June 18 to Dec. 17. The video recordings are still available for viewing.

Expounding, Anggi said that filmmakers had a “poetic license” to take what they find in archives and history books and interpret these in a compelling and digestible format.

to Read Full Story

  • Unlimited access to our web and app content
  • e-Post daily digital newspaper
  • No advertisements, no interruptions
  • Privileged access to our events and programs
  • Subscription to our newsletters
or

Purchase access to this article for

We accept

TJP - Visa
TJP - Mastercard
TJP - GoPay

Redirecting you to payment page

Pay per article

Questioning history through Indonesian cinema

Rp 29,000 / article

1
Create your free account
By proceeding, you consent to the revised Terms of Use, and Privacy Policy.
Already have an account?

2
  • Palmerat Barat No. 142-143
  • Central Jakarta
  • DKI Jakarta
  • Indonesia
  • 10270
  • +6283816779933
2
Total Rp 29,000

Your Opinion Matters

Share your experiences, suggestions, and any issues you've encountered on The Jakarta Post. We're here to listen.

Enter at least 30 characters
0 / 30

Thank You

Thank you for sharing your thoughts. We appreciate your feedback.