Taking a Dive

The Jakarta Post, Jakarta | Sat, 05/24/2008 8:20 AM |

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Natural beauty and luxury await at an exclusive resort in the Java Sea. Andrew Greene tiptoes through the sand to find out more.


I stepped from the pier to holiday upon the remains of the dead.           

Throughout much the world, beach sand is the result of land erosion.  Its grains are weathered bits of quartz that have been swept away from the planet’s mountains, hills and plains.  The bits are washed downriver, beating against one another all the way, to river mouths.  There, the ocean tides, harnessed by the moon, disperse them along the coasts molding our beaches. 

However, at Kura Kura Family and Dive Resort in the Karimunjawa Archipelago, all is reversed and it is the continuous offerings of the sea which build the beaches.  Located on Menyawakan Island, the resort’s soft coral sand is created in shallow, coral-thick water.  The wave action and currents break apart coral exoskeletons and seashells.  Overtime, these pieces are rolled about and reduced until they reach the proper quality to be deposited upon the beach.

To scoop up a handful of coral sand is to plow one’s fingers through a graveyard.  In that measurement, one will recognize polished sea snail shell flecks, porous spheres of bleached stony coral and the ebony spheres of sea urchin spines.  The bulk of the amalgamation is a fine, delicate powder which parrotfish digestive tracts have processed.   

Opened in 1999, the resort is on one of Karimunjawa National Park’s idyllic 27 islands.  Its five exclusive private pool villas, five VIP bungalows and five two-room deluxe bungalows are the only housing on the island. 

The island itself has been superbly landscaped.  All the bungalows face west to catch the sunsets and are air-conditioned, furnished in teakwood with limited satellite television, mini bars and western-style bathrooms.  The coral sand walking trails are swept daily and bordered by lush green lawns, coconut palms, and tropical foliage.  Hard wood dining and massage gazeboes dot the grounds. 

Red lory couples bob and laugh from the pinnate leaves of the coconut palms.  A single sulfur-crested cockatoo glides overhead.  At the seaside, white-faced herons patiently perch atop their erector-set legs as Javanese kingfishers plummet into the water.  At dusk we watch the silhouettes of fruit bats pass backlit by the graying sky. 

A walking trail encircles the island.  It takes less than an hour to make the loop.  One morning my wife and I walked in the darkness to watch the sun break the horizon rolling its strength throughout the sky.    

The white of the path is easy to follow in the ambient light.  The stars above fade to sleep.  We sit on lounge chairs on the island’s eastern beach as the red bleeds up into the clouds above the distant sea.  The deep hue crawls horizontally, like smoke curling, reflective against a solid plane. 

The waves come in low, whispering to the beach.  We can just make out their translucent caps before they collapse into vanilla froth at our feet.  Soon the sun’s light secures a finger’s hold within the warming clouds and suddenly appears the crown of the day.              

Later, following breakfast, my wife, daughter and I make our daily walk to the pier to feed toast to schools of zebra-stripped sergeant fish living at the house reef.  Abruptly, from the surface, burst hundreds of flying fish, to skim the water for at least a football field’s length.  They zig then zag as one, their sides reflecting blades of icy-white.       

Food is a common theme at Kura Kura.  A diner can either chose the quality set three-course meal or select individual items from the menu.  The open-air restaurant overlooks two beaches and the pier.  Meals can also be served directly on the beach of your choosing or at your villa or bungalow. 

The eclectic menu offers everything from Swedish meatballs to imported steaks to fried rice.  Once weekly, the resort puts on an impressive seafood barbeque buffet.  Our favorite entree was the revitalizing combination of grilled red snapper, lime, cilantro, tomatoes and red onions.  Its light, nearly translucent, flesh was just meaty enough to cap a perfect day. 

The bar is stocked with over a hundred brands of vodka and has a sunken bar in the pool.  The staff is always attentive eager to help us with any request we have from helping my mother with her upset stomach to finding a fish identification guide book for me. 

Two days following my arrival, I step from the pier and onto a westward bound dive boat to travel ninety minutes to the wreck of Mitra, an Indonesian Pinisi freighter whose cargo her captain tried to save by driving it onto a reef from where it promptly sank. 

Cutting across the ocean’s grain, we travel up, over and down moderate swells.  The sea is coated with watery tiles flashing shades of yellows, greens and blues.  The clear sapphire sky holds just a few cottony cumulus clouds as we pass north of Pulau Karimunjawa Besar to tie up at a pair of floating tethered 1.5 liter water bottles.  Below, the lightness of the wreck glows tan through the depths. 

Bobbing at the surface, Akim, Kura Kura’s dive master, and I give each other the OK and descend feet first 14 meters to lay horizontally at the wreck’s stern.  The reef slopes gentle westward. 

The visibility is good at around 10 meters.  This is much clearer than the two sites I visited the day before in which fish sperm and eggs were suspended all around, creating a haunted house effect. 

The stern towers above us.  Its superstructure is painted with a lumpy layer of sea fans, anemones and soft and stony corals.  The fish population is healthy with schools of fingerlings hiding in the recesses offered by the broken hull.

We swim, our arms tucked safely against our bellies, to the ship’s starboard before crossing through a canyon-like split to the structure’s portside to round the ship’s bow completing a figure eight above, beside and through the ship.  Along the way we see a large group of deadpanned tuna-like sliver trevally, darting masses of yellow butterfly fish, a few adult long-finned bat fish watching us with big-eyed wonder from beneath a protective overhang, a solitary coral cod or bar-cheeked coral trout, many garish spotted sweetlips and a good number of aggregations of 15 to 60 centimeter fishes.        

The sea floor and walls of the wreck support thriving populations of heavily encrusted oysters and giant clams of varying ages.  No matter how many times I snorkel or dive I cannot resist these bivalves.  I swim right up close and quickly wave my hand, then take delight as gusts of water exhale from their respiration tubes when they hinge shut.  Mollusks may seem tough, but I’ve got their number.

Just before the end of the dive I am attacked.  A remora fish, normally seen clasped just below a shark’s mouth on National Geographic, chooses to latch onto my thigh which is bare beneath my half-wetsuit’s hem.  Regardless of how much I kick, it stays on me until I climb back onto the boat. 

Every dive is new.  Just descending into the folds of deepening sensory-deprivation is a thrill.  Humans only see within a range of thirty percent of the sun’s light.  The ultraviolet and the infrared, accessible to many beings, are invisible spectrums to us.  Beneath the surface, this limited visual sense is handicapped further by the sides, top and bottom of the diver’s mask. 

Light too is perverted by the water.  Water absorbs light’s color from the red end of the spectrum, so that as one descends all color is stripped away until all is blue.  This is great for a diver ascending an atoll or fringing reef as Menyawakan Island has.  Below nine meters or so, only the colors that are found between the four and eight o’ clock positions on the artist’s color wheel exist.  As the diver rises, at perhaps six meters, suddenly the oranges and the violets paint the landscape, until finally at around three meters depth the reds join the scene and, just like that, the anemones, corals, fans and fishes are as radiant and displayed just as God intended them to be. 

At the time of our visit, Kura Kura’s fleet of Cessna 172’s was grounded due to the airlines dust up with the EU.  However, that difficulty notwithstanding, the resort is easily accessed from Jakarta.  We traveled three hours by ferry from Semarang to Pulau Karimunjawa Besar before going half an hour by a private Kura Kura speedboat to the resort.  We were met each step of the way by the ever helpful Kura Kura staff.     

To find out more about Kura Kura Resort please surf to www.kurakuraresort.com or telephone +62(0)21-8414-266 or +62(0)21-8403-257.

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