Collective art: Suparti (right) uses canting (pen-like tool) to draw a special motif along with dozens of women at the Batik Kudus Galeri in Kudus, Central Java
span class="inline inline-none">
Using canting, a pen-like tool that applies liquid wax to cloth, Suparti draws a clove flower motif on a piece of white fabric. The piece is usually completed within a week and she will receive Rp 50,000 (US$5.3) for the payment.
“It’s only a side job since I have to take care of my family as well as help my husband with the farming,” the 46-year-old woman and mother of four said recently.
Every week, Suparti submits her creations to a batik businessperson to receive payment as well as materials, such as textiles and wax, for her next project.
However, Suparti’s work is only the initial stage in the long process to produce hand-made batik, which once completed, can be worth between Rp 2 million to Rp 10 million apiece. Following this drawing stage, the textile must then be colored, cleaned and dried before it is ready to be sold.
Suparti is one of dozens of women currently attending a training course at the Kudus Batik Gallery. The Gallery, managed by the Djarum Appresiasi Budaya Foundation in cooperation with two batik entrepreneurs, instructs the housewives on how to draw traditional Kudus batik motifs, such as the clove flower, Kudus Tower (the icon of the city), kapal kandas (stranded ship) and beras wutah (scattered rice).
“The motifs are almost extinct. Hopefully, we will preserve the motifs through this initiative,” Yuli Astuti, one of only two Kudus batik entrepreneurs, said.
The 31-year-old woman, who studied fashion design, had to go to small hamlets around the city, meeting old women who still retain the skill and knowledge to draw this special batik ornamentation.
“I began to develop the Kudus batik in 2005. I rode motorcycles kilometers just to meet the old women and learnt from them,” Yuli said.
Slowly but surely, Kudus batik began to reemerge. Private companies, such as Djarum, support Yuli, through initiatives such as the establishment of galleries as well as exhibitions that support this traditional craft.
Chairwoman of the Indonesian Batik Foundation Miranti S. Ginanjar welcomed the support of private companies in the promotion and development of batik, a cultural legacy which was recognized by UNESCO in 2009 as “a masterpiece of oral and intangible heritage of humanity”.
“The entrepreneurs should treat their batik craftspeople in a more humane manner,” she said, adding that the increase in awareness of the welfare of batik crafters would attract more people to take up the skill of batik writings.
— Photos JP/A. Junaidi
Share your experiences, suggestions, and any issues you've encountered on The Jakarta Post. We're here to listen.
Thank you for sharing your thoughts. We appreciate your feedback.