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Ritual of hope

Young boys usually get their turn to dance with the tayub dancers after midnight.
Young boys usually get their turn to dance with the tayub dancers after midnight. 
A dancer who also sings in the tayub band holds a bundle of envelopes, which are gifts from the dancing guests. 
A little girl has a joyful moment dancing to the gamelan.  
Offerings for ancestors are kept in a corner of the house. The offerings consist of coned rice, tableware, coffee or tea and samples from the villagers’ harvest. 
Because the performance lasts so long, gamelan players take turns playing their instruments, allowing them to have a quick nap. 
A guest suddenly falls into a trance and dances wildly on stage while other guests try to calm him down.

The middle-aged man moves his body to the sound of the upbeat gamelan orchestra. He approaches a female dancer and skillfully slips an envelope to the latter’s hand, whispering: “hopefully my wife will have a safe labor tomorrow”. He is not the only one who shared his wish with one of the dancers. Most men share their hopes — good harvest, healthy progeny or better luck — when dancing with performers, slipping envelopes filled with thousands of rupiah banknotes.

The dancer, Nurlaela, wears a Javanese traditional strapless top or kemben tightly wrapped around her chest with a batik sarong underneath, a traditional outfit for a tayub dancer. She dances almost all night once the tayub saparan begins, usually before dusk.

Tayub Saparan is a 200-year-old tradition for villagers living on the southern side of Mount Sumbing. Originally, it is a thanksgiving gathering organized by villagers who had a plentiful harvest. People still believe if they whisper their burdens and hopes to the dancers, they will soon find solutions to whatever problems they are facing. Dancers — and also singers usually called ledhek – are considered as a medium to communicate with ancestors.

— Text and photos by Tarko Sudiarno

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