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Jakarta Post

Bandung'€™s funk boogie masters

Showtime: Yordan Admiral (left) and Hary Septiandri of Midnight Runners perform at a recent concert in Bandung, West Java

Riksa Afiaty (The Jakarta Post)
Fri, May 30, 2014 Published on May. 30, 2014 Published on 2014-05-30T13:14:03+07:00

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Showtime: Yordan Admiral (left) and Hary Septiandri of Midnight Runners perform at a recent concert in Bandung, West Java. (Courtesy of Midnight Runners) Showtime: Yordan Admiral (left) and Hary Septiandri of Midnight Runners perform at a recent concert in Bandung, West Java. (Courtesy of Midnight Runners) (left) and Hary Septiandri of Midnight Runners perform at a recent concert in Bandung, West Java. (Courtesy of Midnight Runners)

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span class="caption" style="width: 598px;">Showtime: Yordan Admiral (left) and Hary Septiandri of Midnight Runners perform at a recent concert in Bandung, West Java. (Courtesy of Midnight Runners)

Following their Overdive release from March 2012, Midnight Runners is back, releasing a new album, Odyssey, on cassette and via digital download.

The funk-boogie duo, comprising Hary Septiandry, 23, and Yordan Admiral, 25, have been working together since 2009, when they joined Openlabs, a new-media arts community in Bandung, West Java.

The new seven-track EP focuses on modern electrofunk, blending soul, jazz, psychedelic Rock, R&B, disco and boogie, with a bit of nu-funk, as well.

'€œIt'€™s really simple to describe,'€ Hary says. '€œCall it modern-era modern funk ['€¦.] We were so enthusiastic to discover this music, because we think it'€™s rare in Indonesia, so we began produce this type of music and established Midnight Runners.'€

Neither Hary nor Yordan have formal training. '€œNope, we don'€™t have money for that,'€ Munir says. '€œWe'€™ve been learning by doing and self teaching.'€

Odyssey blends digital and analog to produce a sound not typically heard in local clubs.

'€œAt first we began sampling old records,'€ Fariz said. '€œOur interests developed to find musical arrangements with originality and an organic sound by using old-hardware synth machines.'€

He continues. '€œWe added life and soul on analog and let the digital software help to construct chords and notes and musical rhythm.'€

'€œSometimes a machine can be a great tool for expression,'€ Fariz says.

'€œIt'€™s not about making perfect music for dancing,'€ Yordan says. '€œRhythm and smooth chords are the elements of music that we like the most.'€

Midnight Runner'€™s well-received first EP led to Yordan and Munir'€™s first international gig, at Urbanscapes, Malaysia'€™s monster arts show, in 2013.


Although a skateboarding community in San Diego in the US also featured the band'€™s '€œLove Calling'€ track for their skate video, the band would still like more international opportunities.

'€œThat'€™s the sad part,'€ Hary says. '€œWe had already contact with some promoters to play in Taiwan, Paris '€” even Czechoslovakia '€” but they can'€™t do it within our budget. We don'€™t have sponsors too to fly us out.'€

The need to make a living also slows them down: Hary has a full-time job, while Yordan runs a small business.

'€œIt'€™s so typical for life in Indonesia as a musician,'€ Munir says.

It took more than a year to develop the new release. The cassettes were produced in Portland in the US and had to work their way through local customs.

The boys said that the album is the fruit of a year'€™s research, when they delved deep into local funk acts from the 1980s, such as Fariz RM and the late Ambonese singer Christ Kayhatu, who wrote '€œDi Pantai Cinta'€ and '€œTerpesona'€ (Enchanted) and was the force behind the legendary Funk Trio from the 1980s.

Another influence cited by the band is 69-year-old Ireng Maulana, one of the nation'€™s best guitarists and the founder of the Jakarta International Jazz Festival (JakJazz),

'€œHe sounds good, his music,'€ Munir says. '€œHe is one of a kind.'€

Also in heavy rotation as the boys prepared their second EP were Christ Kayhatu'€™s '€œBawalah Cintaku'€; Black Fantasy'€™s '€œKencana'€, which Munir described as one of Indonesia'€™s great bands; and international artists such as Omega Supreme and People Potential Unlimited.

'€œThis Odysssey EP attempts to capture our long wandering and eventful journey, in terms of both production and musical influences, including contemporary modern funk artists such as B. Bravo and Dam-Funk,'€ Munir said.

Other influential boogie funk masters outside of Indonesia were Jacques Fred Petrus, Mauro Malavasi, Darryl Payne and Roger Troutman.

A preview copy of the new EP shows that Midnight Runner has hit its stride. '€œWe can'€™t describe how it feels to have it out, but this is the result of our hardwork,'€ says Yordan. '€œWe feel satisfied and happy because we created what we love.'€

Next up for Munir and Yordan is a change of pace: They want to make a compilation album of Indonesian musicians from the 1990s.

They'€™re aiming for an international release for the album, hoping to catch some of the momentum from similar releases, such as the 1970s local funk compilation Those Shocking Shaking Days, released by Now Again records overseas.

The compilation project is not the death knell for Midnight Runners, according to Munir. '€œWe will keep creatin beautiful music for beautiful people as long as we still breath in this world.'€

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