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'Wayang orang penget' delights Malang theatergoers

Aman Rochman
Aman Rochman

The Jakarta Post

Malang, East Java | Sun, August 5, 2018 | 01:05 pm
  • The 'Sang Putra Kunti' story, performed on Saturday by a 'wayang orang penget' troupe at the Rampal Celaket subdistrict office in Malang, East Java, tells of the sibling rivalry between brothers Karna and Arjuna. 'Wayang orang penget' is a unique form of human puppet theater that does not follow the structure of a typical 'wayang orang' performance.

    The 'Sang Putra Kunti' story, performed on Saturday by a 'wayang orang penget' troupe at the Rampal Celaket subdistrict office in Malang, East Java, tells of the sibling rivalry between brothers Karna and Arjuna. 'Wayang orang penget' is a unique form of human puppet theater that does not follow the structure of a typical 'wayang orang' performance. OF JP/Aman Rochman

    The 'Sang Putra Kunti' story, performed on Saturday by a 'wayang orang penget' troupe at the Rampal Celaket subdistrict office in Malang, East Java, tells of the sibling rivalry between brothers Karna and Arjuna. 'Wayang orang penget' is a unique form of human puppet theater that does not follow the structure of a typical 'wayang orang' performance.

  • A 'gunungan', a symbolic mountain puppet of 'wayang kulit' (shadow puppet), closed the 'wayang orang penget' performance on Saturday in Malang, East Java.

    A 'gunungan', a symbolic mountain puppet of 'wayang kulit' (shadow puppet), closed the 'wayang orang penget' performance on Saturday in Malang, East Java. OF JP/Aman Rochman

    A 'gunungan', a symbolic mountain puppet of 'wayang kulit' (shadow puppet), closed the 'wayang orang penget' performance on Saturday in Malang, East Java.

  • Two of the 14 wayang orang artists from the Malang theatrical community tell the tale of sibling rivalry between brothers Karna and Arjuna, the sons of Dewi Kunti on Saturday in Malang, East Java.

    Two of the 14 wayang orang artists from the Malang theatrical community tell the tale of sibling rivalry between brothers Karna and Arjuna, the sons of Dewi Kunti on Saturday in Malang, East Java. OF JP/Aman Rochman

    Two of the 14 wayang orang artists from the Malang theatrical community tell the tale of sibling rivalry between brothers Karna and Arjuna, the sons of Dewi Kunti on Saturday in Malang, East Java.

  • A 'wayang orang' artist reaches for an arrow during Saturday's performance of 'Sang Putra Kunti' in Malang, East Java. Although 'wayang orang penget' is different from 'wayang orang', the traditional theatrical form still adapts tales from the 'Mahabharata' or 'Ramayana'.

    A 'wayang orang' artist reaches for an arrow during Saturday's performance of 'Sang Putra Kunti' in Malang, East Java. Although 'wayang orang penget' is different from 'wayang orang', the traditional theatrical form still adapts tales from the 'Mahabharata' or 'Ramayana'. OF JP/Aman Rochman

    A 'wayang orang' artist reaches for an arrow during Saturday's performance of 'Sang Putra Kunti' in Malang, East Java. Although 'wayang orang penget' is different from 'wayang orang', the traditional theatrical form still adapts tales from the 'Mahabharata' or 'Ramayana'.

  • The 'Sang Putra Kunti' story, performed on Saturday by a 'wayang orang penget' troupe at the Rampal Celaket subdistrict office in Malang, East Java, tells of the sibling rivalry between Karna and Arjuna, two brothers who have very different fates. 'Sang Putra Kunti' was inspired by the tales in the 'Mahabharata' epic.

    The 'Sang Putra Kunti' story, performed on Saturday by a 'wayang orang penget' troupe at the Rampal Celaket subdistrict office in Malang, East Java, tells of the sibling rivalry between Karna and Arjuna, two brothers who have very different fates. 'Sang Putra Kunti' was inspired by the tales in the 'Mahabharata' epic. OF JP/Aman Rochman

    The 'Sang Putra Kunti' story, performed on Saturday by a 'wayang orang penget' troupe at the Rampal Celaket subdistrict office in Malang, East Java, tells of the sibling rivalry between Karna and Arjuna, two brothers who have very different fates. 'Sang Putra Kunti' was inspired by the tales in the 'Mahabharata' epic.

OF

The Rampal Celaket subdistrict office in Malang, East Java, was crowded with visitors on Saturday evening. From afar, the local residents could hear the sound of gending (gamelan music) that marked the beginning of a wayang orang penget (human puppet theater) show.

Fourteen wayang orang artists from the Malang theatrical community performed Sang Putra Kunti, a story of sibling rivalry between brothers Karna and Arjuna, the sons of Dewi Kunti who have very different fates.

The performance opened with a synopsis to the accompaniment of gending and sinden (female vocalists of a gamelan orchestra), followed by a scene of children playing traditional games like egrang (bamboo stilts), jump rope and hide-and-seek.

The children then discover their grandfather's book about wayang, which leads to the actual opening to Sang Putra Kunti.

Read also: Rekindling Malang's Ang Hien Hoo 'wayang orang'

The wayang orang penget show also presented comic acts, but instead of the usual Ponokawan comedy, the performers took to the stage without the traditional costumes. The hour-long performance closed with a gunungan wayang kulit, a symbolic mountain puppet that traditionally opens and closes every wayang kulit (shadow puppet) show, with the silhouette of the gunungan projected on the backdrop.

Director Tulus Tri Sumanto said that a wayang orang penget performance was different from a regular wayang orang show, as it did not involve a dalang (puppet master), a Ponokawan group or Yogyakarta's traditional gambyong dance.

Although wayang orang penget did not follow the traditional structure of a wayang orang show, the theatrical art form still adapted stories from the Mahabharata or the Ramayana.

Tulus said he cut down the show from three hours to one hour, and used the local East Javanese dialect, which is known for its straightforward language. He said he hoped that the audience would enjoy wayang orang penget as much as they enjoyed ludruk (traditional Javanese comedy) or ketoprak (traditional Javanese drama).

Tulus added that wayang orang was rarely performed in Malang, and that most wayang orang stories were performed as a dance or dance theater. (jes/kes)

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