Exploring the contemporary: Installation shot of âNo Country: Contemporary Art for South and Southeast Asiaâ exhibition at the Centre for Contemporary Art, Singapore
span class="caption" style="width: 597px;">Exploring the contemporary: Installation shot of 'No Country: Contemporary Art for South and Southeast Asia' exhibition at the Centre for Contemporary Art, Singapore. (Courtesy of Solomon R.G)
A contemporary art exhibition is exploring the intertwined histories of nations in South and Southeast Asia and the dynamic relations that challenge typical definitions of the regions.
The 'No Country: Contemporary Art for South and Southeast Asia' exhibition opened on May 10 and runs until July 10 at the Centre for Contemporary Art (CCA) in Singapore.
It is the inaugural touring exhibition of the Guggenheim UBS MAP Global Art Initiative, a multi-year project exploring contemporary art in three regions, namely, South and Southeast Asia, Latin America and the Middle East and North Africa.
For the inaugural presentation, the project showcased works by 16 inventive artists and collectives from countries across the regions, including Bangladesh, India, Indonesia, Malaysia, the Philippines, Singapore and Thailand.
Through their works, the artists explored four themes: reflection and encounter; intersections and dualities; diversities and divisions; and the desire for unity and community.
Prior to the exhibition in Singapore, the artworks had been showcased at the Solomon R. Guggenheim Museum in New York and at the Asia Society Hong Kong Center.
'If I were to put the exhibition in one word, it is 'representation' ' of how we project, absorb, perceive, believe, desire, defend and redefine who we are. 'No Country' proposes the reevaluation of the region and its countries, through cultural relationships, influences, affinities and negotiations,' exhibition curator June Yap said.
'While the exhibition discusses representation, it also discusses the impossibility of that. That's how we have the paradoxical title 'No Country' in discussing how these borders exist, how they are defined and what we do with them.'
Yap, who has been working as an independent curator with artists throughout these regions since 2008, said that through the reflections by the artists, the exhibition offered the possibility of considering and recalibrating an understanding of communities and cultures in the regions as greater than their political and geographic boundaries.
Share your experiences, suggestions, and any issues you've encountered on The Jakarta Post. We're here to listen.
Thank you for sharing your thoughts. We appreciate your feedback.
Quickly share this news with your network—keep everyone informed with just a single click!
Share the best of The Jakarta Post with friends, family, or colleagues. As a subscriber, you can gift 3 to 5 articles each month that anyone can read—no subscription needed!
Get the best experience—faster access, exclusive features, and a seamless way to stay updated.