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bookWORM; Kamila Shamsie: Intersection of the personal & political

JP/Christian RazukasIn Burnt Shadows, Pakistani-British author Kamila Shamsie begins with a Japanese woman fleeing to Delhi after the Americans bomb Nagasaki in 1945 and ends in Afghanistan after the 9/11 terror attacks

Christian Razukas (The Jakarta Post)
Mon, December 15, 2014 Published on Dec. 15, 2014 Published on 2014-12-15T11:17:45+07:00

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JP/Christian Razukas

In Burnt Shadows, Pakistani-British author Kamila Shamsie begins with a Japanese woman fleeing to Delhi after the Americans bomb Nagasaki in 1945 and ends in Afghanistan after the 9/11 terror attacks.

In between, the 41-year-old writer puts her characters through the India/Pakistan partition, the South Asian A-bomb race, '€œmilitary contractors'€ and CIA plots in a story that sounds like an Ibn-e-Safi thriller, but which is at heart a moving story of love, family and loyalty.

It'€™s unsurprising that Shamsie '€” speaking at the Singapore Writer'€™s Festival, where she was one of 69 international writers and 138 local authors making bows '€” is sometimes billed as a '€œpolitical writer'€, a label she accepts while wondering how American and British authors can avoid the characterization.

'€œThis doesn'€™t happen for writers in Pakistan. You just grow up there with a realization that politics is here. It is an essential part of life,'€ Shamsie says, after discussing which year in Pakistani politics might be best done over. '€œI'€™m not sure how you can be in part of a country that is such a force in the world and not want to examine it in your novels.'€

When asked about favorite books, Shamsie '€” named one of the best young British novelists by Granta, arguably the English-speaking world'€™s most prestigious literary magazine '€” cited authors with adroit mastery of language '€” as well as those focusing on the intersection of politics and the personal.

 

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'€˜How to Be Both'€™, Ali Smith

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'€˜In the Skin of a Lion'€™, Michael Ondaatje

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- JP/Christian Razukas

 

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