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Jakarta Post

Fluxcup: Claim to fame through social media

Courtesy of FluxcupFluxcup is an artist of the Internet era

Marcel Thee (The Jakarta Post)
Jakarta
Tue, September 1, 2015

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Fluxcup: Claim to fame through social media

Courtesy of Fluxcup

Fluxcup is an artist of the Internet era.

From behind the walls of an anonymous on-screen persona, the artist '€“ who has yet to reveal his real name '€“ celebrates and denigrates the Internet'€™s hold on culture with a cynical balance of irony and seemingly deliberate obnoxiousness.

Gaining popularity through a variety of social media accounts, Fluxcup'€™s claim to fame rose when he began uploading joke videos onto YouTube dubbed with his and his friend'€™s voices.

The dubs themselves are by nature absurd and have a slew of Indonesian references, which, paired with the mostly international-sourced videos, resulted in an offbeat kind of humor that is more '€œweird'€ than '€œfunny'€.

His YouTube channel, which now has more than 20,000 subscribers, led to shorter videos on Instagram '€” on which he has more than 14,000 followers '€” and Twitter, where even more people get a taste of Fluxcup'€™s particular brand of comedy.

A short viewing of his videos would very likely result in nothing more than a shrug, but Fluxcup assures us that they have meaning deeper than the funny dubs and accents.

The ultimately irony is in how the Internet has garnered Fluxcup a large audience that watches his clips, which are meant to be critiques of how the digital age has brought along a culture of constant-watching.

'€œMy work stems from my uneasiness over the watching culture, the visual spectacle, which will continue to embed itself in society,'€ he explained, '€œa society that has been over-contaminated with product information camouflaged by [attractive] packaging to sell itself'€.

That irony isn'€™t lost on Fluxcup, who sees himself as both a '€œvictim'€ and '€œspectator'€ of this culture. His art is meant to satirize.

'€œSo chances are, I will continue to find new methods in my creative process along with the growth of my variable audience members, as I have become a part of that circle myself,'€ he said.

If the element of cynical playfulness has become a major part of Fluxcup'€™s videos, it is with reason.

Courtesy of Fluxcup
Courtesy of Fluxcup

He claims to have taken his moniker from a self-made '€œnutritional supplement'€ meant to sustain the body'€™s stamina and to be a substitute for marijuana. After testing the product, Fluxcup claims it had instead resulted in '€œinformation dehydration, the arousal of laughter, damaged intellectual rights, sarcastic addiction, the triggering of anti-reasoning and general stupidity'€ and so he then took it as the name he would create under.

'€œIn its own way, the name has become an identity for failed products of the information-era industry.'€

Using a variety of media, which has included installation pieces, sound art, sculptures, public art, performance art, action stunts, debus (invulnerability skills like sword swallowing, fire eating or lying on a bed of nails) and salsa dance, Fluxcup said that he found solace in the self-deprecating nature of his art.

By admitting that those like him are as much as a problem as those he disdains, he has somehow laughed off that sense of public burden.

'€œI see comedy as a room to mediate culture, in which the room is filled with moments of irony that can make us laugh at ourselves, both as a citizen of the world and as citizens of a third world country. Significantly, comedy is intrinsically funny when it is somewhat connected to the socio-cultural realities of certain countries,'€ he said, adding that watching these kinds of comedies that he makes also provides society with a mirror in which, as an artist, Fluxcup is able to criticize in a persuasive manner.

'€œBecause comedy does not necessarily need to result in a radical change through its criticism, but it is enough to tickle social culture.'€

Perhaps Fluxcup'€™s art can be summed up with his chosen logo '€” a wavy-haired blond Ken-doll lookalike with an ironic 1970s mustache. It'€™s silly, but with meaning '€” just like the self-appointed pointers Fluxcup gives himself in creating.

He lists them: '€œDo the things that scare you on a regular basis, be boring, steal everything, seek failure and distortions and make a mess.'€

To learn more about Fluxcup, visit his YouTube channel at '€œFluxcup'€.

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