For a nation to truly flourish and for democracy to have meaning, meritocracy must be practiced with a genuine understanding of diverse life experiences and challenges.
By
Jakarta
In the storied lands of Kelaraja, being a dalang (puppet master) is not just a title, but an embodiment of wisdom, narrative mastery and cultural stewardship. Herein lies an early notion of meritocracy: ascending to the rank of dalang requires talent and dedication.
However, as the esteemed Ki Tirta prepares to pass on the mantle, the kingdom braced for the announcement of the next dalang. To the kingdom's astonishment, the council nominates the young prince of Kelaraja, Raden Lintang. While the prince has shown an inclination toward wayang, his experience is nowhere near the former dalang’s.
Rumors spread like wildfire, with many speculating that King Wisnu's influence has swayed the council's decision. Whispers of nepotism begins, suggesting that King Wisnu's influence might have played some part in the selection. The revered wayang tradition now appears tainted by politics.
The prince, while acknowledging his lack of experience, radiates genuine respect for the wayang. He envisions a future where the wayang would evolve yet retain its soul. However, the weight of public opinion bears heavily on him, with many frowning upon him as an undeserving successor.
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