Ahead of its upcoming curatorial project at the prestigious Documenta art exhibition in Kassel, Germany, in 2022, Indonesian art collective Ruangrupa has already established itself as the preeminent contemporary art institution in Indonesia.

It started out humbly as a forum for artistic collaboration that rewarded critical thinking about one’s surroundings.

The Jakarta-based art collective was founded in 2000, two years after the fall of the repressive Soeharto regime. Coming out of the authoritarian era, Ruangrupa took advantage of the newfound freedom by providing exhibition spaces, publishing services, workshops, research and setting up festivals and events.

Throughout the years of Ruangrupa’s success in the contemporary art scene, certain themes, colors and methods started to become noticeably characteristic of their works and exhibitions. For one, even though most of Ruangrupa’s artists tend to focus on bleak social commentary, many do so with the use of everyday objects and bright colors.

“Maybe you can see a characteristic because we tend to focus on certain social phenomena and environments, such as urban landscape,” Ade Darmawan, one of the cofounders of the collective, told The Jakarta Post on Wednesday.

Ruangrupa made history by becoming the first ever Asian group — and first ever art collective — chosen to curate at Documenta, an exhibition that started in the industrial German town of Kassel in 1955 to bring Germany back into a dialogue with the rest of the world after the end of World War II.

“If Documenta was launched in 1955 to heal war wounds, why shouldn’t we focus Documenta 15 on today’s injuries, especially ones rooted in colonialism, capitalism or patriarchal structures, and contrast them with partnership-based models that enable people to have a different view of the world?” Ade said, sharing his vision for Ruangrupa for the 15th edition of Documenta in 2022.

Documenta 15 will be the latest entry to Ruangrupa’s vast portfolio of international art events, an impressive feat considering that not all of the art collective’s members are full-time artists.

“We often analogize Ruangrupa as a band,” Ruangrupa member and architect Iswanto Hartono said. “Each person has their own instrument [and uses it] to contribute to our harmony.”

The collective’s core members consist of 10 individuals, each of whom are becoming leading artists in their disciplines, although the collective states that it prefers to keep membership fluid in order to collaborate with artists of all kinds.

Ade has headed the collective since its inception. He is known as a celebrated mixed media artist, dabbling in the mediums of installations, digital prints, drawings and video art and has held solo exhibitions abroad.

Two of its members share similar backgrounds in architecture. There is perennial hat-wearing architecture professor Farid Rakun, who is currently the Jakarta Biennale interim director, and Iswanto Hartono, who tends to focus his works on forgotten history, particularly on colonialism and postcolonialism in Indonesia.

In the collective, Iswanto manages the ArtLab that conducts research and leads creative collaborations on urban and media issues.

Directing the ArtLab alongside Iswanto is performance artist Reza Afisina. Both men are part of a conceptual, collaborative art duo called RAIH. Reza’s new media works have been showcased in premiere shows around the globe. He also served as an interlocutor at the 2018 Asia Pacific Triennale.

Two of its core members, Indra Ameng and Narpati “Oomleo” Awangga, are prominent senior figures in the Jakarta independent music scene. Indra is the director of Ruangrupa’s RRREC FEST music festival and also part of a small music promotional duo The Secret Agents with his wife Keke Tambuan. Oomleo, meanwhile, is best known for his role in electronic indie band Goodnight Electric and is also a notable columnist, comic book artist, radio announcer and illustrator.

Ajeng Nurul Aini and Daniella Fitria Praptono are responsible for more of the behind-the-scenes duties, with Ajeng serving as the collective’s managerial backbone and Daniella mainly running regular art workshops for women and children at Ruangrupa’s GUDSKUL institute.

Rounding up the main team are Julia Sarisetiati, the curator of OK. Video, a biannual media art festival from Ruangrupa, and Mirwan Andan, who served as a researcher for Ruangrupa since 2007. He currently runs a small library in Jakarta and runs the Jalur Timur artist development project in Makassar, South Sulawesi.

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