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Catholic fashion beats King Tut for museum exhibition crown

James Tarmy


 /  Fri, October 12, 2018  /  08:05 pm
Catholic fashion beats King Tut for museum exhibition crown

Actress Kate Bosworth arrives at the Metropolitan Museum of Art Costume Institute Gala (Met Gala) to celebrate the opening of 'Heavenly Bodies: Fashion and the Catholic Imagination' in the Manhattan borough of New York, U.S., May 7, 2018. (REUTERS/Eduardo Munoz)

Heavenly Bodies: Fashion and the Catholic Imagination, which closed on Oct. 8, was the most-visited exhibition in the Metropolitan Museum of Art’s 148-year history. Over the course of five months, 1,659,647 visitors made their way through the show, which was organized under the auspices of the museum’s Costume Institute and kicked off by the annual Met Gala.

Combining contemporary dresses by the likes of Versace and Dolce & Gabbana with unprecedented loans from the Sistine Chapel Sacristy, visitors were drawn by the show’s glittering dresses and exquisite vestments, as well as a room full of jeweled tiaras on loan from the Vatican.

Heavenly Bodies, which was organized by Andrew Bolton, the Wendy Yu Curator in charge of the Costume Institute, was spread throughout galleries in the Met’s Fifth Avenue building and in the Cloisters in upper Manhattan. (There were 1.43 million visitors to the exhibition in the Fifth Avenue building and 228,737 to the Cloisters.)

Read also: Tiaras but few tantrums at New York 'Heavenly Bodies'

The record number of visitors eclipses some of the Met’s best-known exhibitions, including Treasures of Tutankhamun (1978), which logged 1,360,957 visitors, and Alexander McQueen: Savage Beauty (2011), which had 661,509 visitors. In total, the Met drew a record-setting 7.35 million visitors in its fiscal year that ended on June 30. The theme for next year’s Costume Institute exhibition, Camp: Notes on Fashion was announced on Wednesday.

The visitor numbers come as a welcome spot of good news for the institution. Last month, it was reported that the museum will prematurely end its lease for its Met Breuer location in 2020, ceding it to the nearby Frick Museum, which will occupy the space during its own renovation.

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