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Jakarta Post

British sculptor Anthony Caro dies at 89

  • The Jakarta Post

    The Jakarta Post

London   /   Thu, October 24, 2013   /  07:49 pm

British sculptor Anthony Caro, whose industrial yet playful metal creations helped abstract sculpture gain global acclaim, has died at the age of 89.

A statement released Thursday on behalf of the artist's family said Caro died after suffering a heart attack on Wednesday.

Caro was one of Britain's best-known artists, and his large, abstract steel sculptures stand in galleries, parks and museums around the world.

Museums including Tate Britain and New York's Museum of Modern Art have held retrospectives of his work.

Tate director Nicholas Serota called Caro "one of the outstanding sculptors of the past 50 years."

Caro's works were often made of steel '€” though he also used bronze, silver, wood and even paper '€” and made by welding together sheets, beams and other pieces of metal into bold, geometric shapes.

The sculptures were frequently painted bright red, yellow or green and placed directly on the ground, rather than on pedestals, to have a greater impact on viewers.

"I was reacting against the Romantic, pastoral English tradition, which I felt had sort of run its course," Caro said last year.

Serota said Caro "established a new language for sculpture."

"His development of this vocabulary, building on the legacy of Picasso, but introducing brilliant color and a refined use of shape and line, was enormously influential in Europe and America," Serota said.

Caro also helped design London's Millennium Bridge, an elegant pedestrian crossing over the River Thames that opened in 2000 '€” and was promptly closed because pedestrians found it wobbled alarmingly. Reopened two years later after engineering work, the "Wobbly Bridge" has become a much-loved landmark used by thousands of people each day to cross between St. Paul's Cathedral and the Tate Modern gallery.

Born near London on March 8, 1924, Caro gained an engineering degree from Cambridge University and served in the Royal Navy before studying sculpture at the Royal Academy Schools. In the 1950s he worked as an assistant to Henry Moore, probably the greatest of 20th-century sculptors.

A breakthrough show at London's Whitechapel Gallery in 1963 helped bring Caro, and his style of abstract sculpture, to global attention.

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