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Loach and Malick top bill but no Tarantino - yet - for Cannes festival

Fiachra Gibbons

Agence France-Presse

Paris, France  /  Fri, April 19, 2019  /  04:03 pm
Loach and Malick top bill but no Tarantino - yet - for Cannes festival

British film director Ken Loach takes part in a press conference in marge of a ceremony for the 'Doctor Honoris Causa' honorary degrees of the ULB (Universite Libre de Bruxelles) university, on April 26, 2018 in Brussels. (BELGA/AFP/Eric Lalmand)

Veteran directors Ken Loach and Terrence Malick head the line-up of a gritty and highly political Cannes film festival next month, its director Thierry Fremaux said Thursday.

Despite red-carpet protests last year led by Hollywood star and jury head Cate Blanchett demanding equality, only four of the 19 films competing for the Palme d'Or top prize are directed by women.

Fremaux -- whose selection committee consisted of four men and four women -- insisted that female talent was coming through in the rest of the official selection, with 13 women directors making the cut overall.

But the big news was that there was no place -- as yet -- for Quentin Tarantino's much-anticipated new movie, Once Upon a Time in Hollywood, starring Brad Pitt and Leonardo DiCaprio. 

Fremaux hinted that he would hold the door open for the maker of Reservoir Dogs until the very last minute.

"It is not yet ready," he told reporters. "It's a bit of a sprint... we hope we will have good news to announce" before the festival starts on May 14.

Loach, 82, who won the Palme d'Or prize in 2016 with I, Daniel Blake -- which he then said was his final film -- returns with Sorry We Missed You, an indictment of the gig economy.

Read also: Jarmusch's zombies -- with Iggy -- to open Cannes

Maradona and Elton John

Fremaux revealed that the reclusive American Malick will premiere his World War II story, A Hidden Life, about a German conscientious objector guillotined by the Nazis in 1943.

The world's biggest film festival, which sees itself as the "Olympics of cinema", will open with cult US director Jim Jarmusch's The Dead Don't Die.

The zombie comedy stars Bill Murray, Adam Driver, Tilda Swinton and singers Iggy Pop and Tom Waits.

But overall the festival is again missing big starry Hollywood productions.

They have migrated in recent years to the rival Venice film festival in August, which the studios believe gives them a better springboard for the Oscars.

Netflix also premiered its Oscar-winning Roma at Venice last year after a bitter row with Cannes -- since partly patched up -- over its rule that selected films must be shown in French cinemas.

Fremaux, however, appeared to have some stardust up his sleeve, hinting that Elton John may perform on stage before the biopic of his life, Rocketman, premieres out of competition.

And Drive director Nicolas Winding Refn will similarly unveil two episodes for his new Amazon series Too Old to Die Young.

Not quite Hollywood

What the Cannes line-up lacks in glamour, it attempted to make up with star auteurs, social issues and a global span.

Korean master Bong Joon-ho of Okja and Snowpiercer fame is back with a tragicomedy film noir called Parasite about the growing divide between rich and poor in his homeland. 

Another Cannes regular Pedro Almodovar also returns with his most personal film yet, Pain & Glory, which has already opened to great acclaim in his native Spain.

This time round it's a caper about gangsters who form a union. 

Palestine film-maker Elia Suleiman charts a struggle to find an alternative homeland in It Must Be Heaven.

Meanwhile, acclaimed documentary-maker Asif Kapadia tackles the legend of Diego Maradona out of competition.

The British Oscar-winning maker of Amy -- which revealed the singer Amy Winehouse's demons shortly before her death -- will concentrate on the footballer's days at FC Napoli. 

Read also: Mexico's Inarritu to head Cannes Film Festival jury

Political grit

Triple Cannes winners the Dardenne brothers tackle the path of an Islamic extremist from their native Belgium in Young Ahmet.

Brazilian director Kleber Mendonca Filho staged a red-carpet protest about the impeachment of his country's ex-president Dilma Rousseff when he premiered his last film Aquarius at Cannes in 2016.

This time he heads into Brazil's disputed interior in Nighthawk.

Chinese director Diao Yinan -- who won the top prize at Berlin for the crime story Black Coal, Thin Ice -- has a group of gangsters forming a union to take over a city in The Wild Goose Lake.

Fremaux said the festival was full of "political" movies about "daily life, individuals who battle against adversity. We go into people's homes to tackle ordinary problems.

"The festival isn't political, it is the artists who are," he added.

Austrian director Jessica Hausner looks at how genetic modification might chillingly alter our world in Young Joe, while debut French feature Les Miserables shines a light on the country's restive suburbs.

Made by Ladj Ly, a longtime friend and collaborator of star street artist JR, it is set in the deprived estates where he grew up and where the 2005 Paris riots kicked off.

Fremaux said that as well as Tarantino's movie about a Hollywood stunt double, other films might yet make it into one of the festival final slots.

British critic Guy Lodge praised the line-up as "thrilling".

"The competition is probably name-y enough to appease those who were disappointed by last year's (ultimately strong) selection," wrote on Twitter.

"But still... elevates some newer, more surprising talents."

The festival, whose jury this year is headed by the Mexican maestro Alejandro Gonzalez Inarritu of Birdman and The Revenant fame, runs from May 14 to 25.

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