adrid's Prado museum abruptly withdrew a 19th century painting from an exhibition of Spanish female artists on Wednesday night after an online art sleuth showed the work in question was actually painted by a man.
The "Invitadas" exhibition, which translates as female guests, opened last week with the aim of reflecting on the role of women in Spanish art between 1833 and 1931.
The temporary exhibit of 134 works - the Prado's first since Spain's galleries reopened in June after a nationwide coronavirus lockdown - included a poorly preserved canvas identified as "Family Scene" by an Andalusian female artist, Concepcion Mejia de Salvador.
Proudly displayed in its own room, the deeply scratched painting, which depicts three women looking up from domestic chores at an old man sadly bidding farewell to a boy, was supposed to highlight the historical marginalization of female artists.
Read also: A near-private encounter with 'Las Meninas' as Madrid's Prado reopens
But art blogger Concha Diaz was immediately suspicious of the painting's authorship and followed a paper trail of historical records to the work's true identity: "The Soldier's Departure" by Adolfo Sanchez Mejia.
Providing the final clue, the artist's distinctive swirling signature can be seen faintly in the bottom right corner.
Thanking Diaz for her work, the Prado said the blunder highlighted the need for further research into female artists from centuries past.
Share your experiences, suggestions, and any issues you've encountered on The Jakarta Post. We're here to listen.
Thank you for sharing your thoughts. We appreciate your feedback.
Quickly share this news with your network—keep everyone informed with just a single click!
Share the best of The Jakarta Post with friends, family, or colleagues. As a subscriber, you can gift 3 to 5 articles each month that anyone can read—no subscription needed!
Get the best experience—faster access, exclusive features, and a seamless way to stay updated.