Africa Fashion, held at the Victoria and Albert (V&A) Museum from Saturday, is also the country's first exhibition dedicated to the medium.

Project curator Elisabeth Murray said the show would provide a "glimpse into the glamor and politics of the fashion scene".

"We wanted to celebrate the amazing African fashion scene today. So, the creativity of all the designers, stylists, photographers and looking at the inspiration behind that," she told AFP.

Included in the exhibition are objects, sketches, photos and film from across the continent, starting from the African liberation years in the 1950s to the 1980s to up-and-coming contemporary designers.

Senior curator Christine Checinska called it "part of the V&A's ongoing commitment to foreground work by African heritage creatives".

Global anti-racism movements, including Black Lives Matter, have forced Britain to reassess its divisive colonial past, from museum collections and public monuments to teaching history in schools.

The V&A was founded in 1852 as Britain under Queen Victoria expanded its global empire, including in Africa in the decades that followed.

But Checinska said African creativity had "largely been excluded or misrepresented in the museum, owing to the historic division between art and ethnographic museums arising from our colonial roots and embedded racist assumptions".

"The conversations and collaborations that have shaped the making of the Africa Fashion exhibition are a test bed for new equitable ways of working together that allow us to imagine and call into being the V&A of the future," she added.

Displaying a diverse range of African designs, textiles and influences, the ambitious exhibition was a way to address that imbalance, she said.

Celebration

The scene is set with a section on “African Cultural Renaissance”, highlighting protest posters and literature from independence movements that developed in conjunction with fashion.

“The Vanguard” is the central attraction, displaying iconic works by well-known African designers including Niger's Alphadi, Nigeria's Shade Thomas-Fahm and Kofi Ansah of Ghana.

A variety of African textiles and styles such as beadwork and raffia are employed in innovative designs with cross-cultural influences. Thomas-Fahm's designs, for example, reinvented traditional African-wear for the "cosmopolitan, working woman".

Other displays with names such as “Afrotopia”, “Cutting-Edge” and “Mixology” explore fashion alongside issues such as sustainability, gender, race and sexual identity.

One highlight is the centerpiece by Moroccan designer Artsi made especially for the exhibition.

The piece was inspired by the British trench coat and Muslim hijab, navigating how to "present Africa in England", he told AFP. Fashioning a "meditation on our common humanity", Artsi emphasized the beauty of African fashion that "doesn't come from a source of commercialized clothes".

"It comes from a source of heritage and celebrating culture," he added.