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Jakarta Post

Balinese artist Andre Yoga’s provocative mindscapes describe a nation in crisis

Contemporary artists' role within society is especially vital during periods of social and political upheaval. Their sensitivity, observation skills and mastery of visual languages inform the public of critical issues demanding attention.

Richard Horstman (The Jakarta Post)
Bali
Mon, August 30, 2021

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Balinese artist Andre Yoga’s provocative mindscapes describe a nation in crisis Modern meets traditional: "Influence" (2020) by Andre Yoga. (Personal collection/Courtesy of Andre Yoga )

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em>Revolution by emerging Balinese artist Andre Yoga, depicts a Muslim man in a shirt emblazoned with red hearts casually sitting atop a cow with a pistol drawn to his head. A shower of meteorites falls from above while a satellite beams frequencies to Earth. A beautiful background vista is anchored by a band of blue with an array of one-eyed faces appearing to grimace at the observer. Andre cleverly balances the duality; the threat of extreme violence is neutralized by a vibrant landscape and the omnipotence of love.  

"The painting reveals Indonesia's experience of the fourth industrial revolution; the automation of traditional manufacturing and industrial practices. The narrative is inspired by Pasfoto Sang Iblis [The Devil's Passport Photo], Sanento Yuliman's book describing how Indonesians are too slow or too relaxed in responding to situations around them," Andre told The Jakarta Post.

The powerful, in-your-face visual formula is derived from Andre's graphic design and illustration background — the understanding that an economy of information is key to capturing our attention. His iconography intentionally leaps out from the canvas, merging with our awareness.

His bold and provocative paintings deliver a distinct message and are a relevant sign of the times.

"Controversy is essential within my art. We need controversy to shake us from our dream," Andre said. "Indonesia is in a crisis. Tradition, however, grants people the option to defer their responsibilities. We are aware of the serious nature of the crisis yet remain preoccupied with our lives, preferring to ignore the truth."

A distinguishing aspect of Andre’s works is the spatial arrangement of iconography, allowing negative spaces within his composition to become solid aesthetic elements. His contrasting imagery may vary from social, cultural, political and pop art icons; images of conflict, of the struggle between power figures while the marginalized remain passive.

Design tricks: adding 3D aspects, a horizon line, clouds and references to the landscape, along with the verve of contrasting colors. These additions are vital information that triggers the imagination within his intriguing mindscapes.  His unique artistic voice has firmly established his presence within the burgeoning Bali art scene.

Andre introduces an outsider's perspective as a Balinese Christian who married a woman from Jakarta with a Muslim background.

Read also: Contemporary artist takes a hard look at Cambodia’s troubled past

"Identity portrays the story of my life, being a Christian living and growing up within the Balinese Hindu culture. It is the never-ending journey of finding myself," he said. "The concept of religion is still strong and important in Indonesia. As a Balinese Christian, I feel the pluralism of Balinese life. I can also translate Hindu culture and patterns and can merge with them with representations of Christianity. As an outsider, I have a different perspective and can offer a new and fresh awareness in my art.

“I’ve been drawing since high school, then I sold my illustrations for local and international clothing brands. After that, during university, I often did murals in restaurants and cafés in Denpasar and even Singapore.”

Threats of violence:
Threats of violence: "Revolution" (2021) by Andre Yoga. (Personal collection/Courtesy of Andre Yoga )

Andre’s first venture into art was defined by ultra-detailed pen sketches based on techniques such as pointillism, adopting pop art, Japanese anime and Indonesian cultural icons.

“Nowadays, I enjoy watching YouTube and make observations of the current global social-political paradigm, and this inspires my artistic ideas.”

Andre’s choice of symbols may be easily and literally read. However, some paintings can speak differently and without specific meaning, functioning as a form of natural expression. He often adds to this written text about the topic of the work or words inspired by music and film posters.

Read also: Inspiring change-maker: Balinese art maverick I Wayan Sika

“I studied graphic design because I believed it would provide greater future career opportunities,” he revealed. "My university background in visual communication and graphic design has guided my use of information. The icons' meanings and the order in which they are read emphasize my pictures' communication aspect.

“During my university years, I saw the paintings of Agung Mangu Putra, and he inspired me to want to make art. I have also been stirred by the Indonesian contemporary master Heri Dono, whose art describes revolution. I adapt this to what I see around me in Bali.  I am constantly observing the dynamics from both the village perspective and Bali as an international tourist hub and a global village."

In the zone: Andre Yoga in his Denpasar studio in Bali.
In the zone: Andre Yoga in his Denpasar studio in Bali. (Personal collection/Courtesy of Andre Yoga )

Andre also cites artist FX Harsono, who depicts the marginalization of Chinese-Indonesians in his work, as one of his influences.

Contemporary art is often criticized for being difficult to understand. Andre, however, has refined his pictorial system of less is more. What immediately attracted me to his paintings is his clarity of what and how he wishes to communicate.

“Current issues go viral in cyberspace because of their contentious nature. Such issues, while they can be confronting, open our minds to new thinking and ideas. This is what I wish to achieve, so I translate these important issues into my own visual language,” explained the artist, who was born in Denpasar in 1994.

“It is essential that artists present different viewpoints during this area of the erosion of democracy and freedom of speech. It takes courage, however, to communicate in this style.”

 

 

 

 

 

 

 

 

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