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Though the movie starts quite slowly, it picks up the pace, resulting in a quite enjoyable watch. Unfortunately the cast members' strong performance is not supported by a deep-enough narrative, hence I struggled to root for the characters or to feel any sympathy for their hardship.
The central conceit that powers the unlikely collaboration between director Danny Boyle and screenwriter Richard Curtis is certainly ripe for several comedic beats, most of which involve people’s bewilderment at the mere mention of The Beatles.
Twentieth Century Fox’s new action-comedy film Stuber acknowledges the inherent silliness, as well as the occasional danger, of hitching a ride in a stranger’s car through apps like Uber. Only this time, the premise is turned on its head: instead of the stranger behind the wheel secretly being a creep, it’s the passenger who’s an unhinged maniac.
Despite its corporate origin, Annabelle Comes Home manages to enthrall in its pared-down approach to the franchise’s “funhouse horror” formula. Furthermore, its earnest humanity sets it apart from the vast majority of this year’s summer tentpoles, in which flesh-and-blood characters are replaced by a stable of broadly-sketched caricatures.
