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Cannes to show film by director killed in Ukraine
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‘Essential’: A still image shows a scene from Mariupolis 2 by Lithuanian director Mantas Kvedaravicius, the follow-up to his acclaimed documentary about the conflict in Ukraine’s Donbas region that is to be screened on May 19 at the 2022 Cannes Film Festival. Kvedaravicius was killed last month by Russian forces while he was shooting the film in Ukraine. (www.festival-cannes.com/www.festival-cannes.com)
T
he final film by Lithuanian director Mantas Kvedaravicius, who was killed by Russian forces in Ukraine last month, would be shown at this year’s Cannes Film Festival, organizers said on Thursday.
Kvedaravicius was shooting a follow-up to his celebrated documentary about the conflict in the Donbas region, Mariupolis, when he was reportedly captured and killed.
His fiancee, Hanna Bilobrova, who was with him in the besieged city of Mariupol, brought his footage out of the country and it was put together by his editor, Dounia Sichov.
In a last-minute addition to the festival lineup, the resulting film, Mariupolis 2, is getting a special screening out of competition at Cannes on May 19 and 20.
The festival said in a statement that "it was essential to show it”.
The original documentary by Kvedaravicius, a trained anthropologist, won widespread praise after it was shown at the Berlin International Film Festival in 2016.
He returned to the region this year "to be with the people he had met and filmed in 2014 and 2015", the Cannes statement said.
"Following his death, his producers and collaborators have put all their strength to continue transmitting his work, his vision, his films.”
The war in Ukraine has become a central feature of the 75th Cannes Film Festival.
Ukrainian director Sergei Loznitsa is presenting out of competition a timely film, The Natural History of Destruction, about the bombing of German cities in World War II.
Newcomer Maksim Nakonechnyi is competing in the Un Certain Regard section with Butterfly Vision, about a traumatized veteran of early fighting in Donbas.
A special day has also been dedicated to the Ukraine’s beleaguered filmmakers at the industry marketplace, which runs alongside the competition.
