TheJakartaPost
Please Update your browser
Your browser is out of date, and may not be compatible with our website. A list of the most popular web browsers can be found below.
Just click on the icons to get to the download page.
From chariot racing to opera: Verdi comes to Rome's Circus Maximus
Change text size
Gift Premium Articles
to Anyone
Share the best of The Jakarta Post with friends, family, or colleagues. As a subscriber, you can gift 3 to 5 articles each month that anyone can read—no subscription needed!
Workers build a seating area for socially distanced Rome Opera House's summer performances at Circus Maximus, the ancient chariot racetrack, following the coronavirus disease (COVID-19) outbreak in Rome, Italy, June 25, 2020. (Reuters/Guglielmo Mangiapane)
R
ome's Circus Maximus, once home to ancient chariot races, is preparing for a new season as an opera house as the coronavirus pandemic has forced organizers to seek huge venues that allow for social distancing.
The 2,800-year-old arena, one of the ancient world's biggest public entertainment venues, has needed weeks of preparation but its generous dimensions and natural structure, akin to ancient Greek theaters, makes it an ideal site.
"The Circus Maximus is transformed from a circus to a theater, an opera house in this case," Rome's Opera House technical director, Francesco Arena, told Reuters.
"It is returning in a way to its origins and its function as a show venue."
Read also: Vienna State Opera reopens with just 100 guests per show
The ancient Baths of Caracalla, where the Rome Opera normally holds its summer season, is also outdoors, but it cannot guarantee the distancing afforded by the Circus Maximus, less than 1 km down the road.
Temperature checks, widely spaced seating and an especially large stage, are intended to provide security for both opera goers and performers.
"We tried to transform the limits of interpersonal distance into new forms of representation with great use of technologies that allow us to bring the artists closer to each other and the artists closer to the spectators," said Carlo Fuortes, superintendent of Rome's Opera Theatre.
Last-minute construction work and rehearsals have been going on feverishly ahead of July 16, when 19th-century Italian composer Giuseppe Verdi's Rigoletto will kick off the season.
Fuortes said the virus was forcing theaters around the world to come up with creative solutions and he was confident the experience would be a rewarding one for opera goers starved of live culture during the lockdown.
But it will be a very different atmosphere from the rowdy crowds cheering on their favorite charioteers in ancient times.
