A meteorite salvaged from a 2018 fire at Rio de Janeiro's National Museum symbolizes resistance to the destruction of culture in times of darkness.
meteorite salvaged from a 2018 fire at Rio de Janeiro's National Museum symbolizes resistance to the destruction of culture in times of darkness -- a spirit at the heart of this year's Sao Paulo Biennial of Contemporary Art.
Marking its 70th anniversary the exhibition, one of the most important of its kind in the world, reflects a reaction to the extreme right embodied in Brazil by President Jair Bolsonaro, as well as to the environmental crisis and the pandemic.
"Faz escuro mas eu canto" ("It's dark but I sing"): the curators salvaged this verse by Thiago de Mello, a message of hope written during Brazil's military dictatorship from 1964 to 1985, to summarize this Biennial of more than a thousand works by 91 Brazilian and foreign artists, including indigenous creators.
The darkness has become more tangible with "new fires, hate speech (...), acts of explicit racism, signs of institutional fragility and finally the pandemic," said Paulo Miyada, one of the curators, at the launch.
"The voices of artists become more important in states of emergency like the one we are living in," he added.
After coming to power in 2019, Bolsonaro eliminated the Ministry of Culture and reduced it to a secretariat within the tourism portfolio, with a slashed budget and complaints about alleged censorship.
Since then, the art world has resisted. "The way to respond ... to dark political times of far-right movements was with a political approach," Italian guest curator Francesco Stocchi told AFP.
Share your experiences, suggestions, and any issues you've encountered on The Jakarta Post. We're here to listen.
Thank you for sharing your thoughts. We appreciate your feedback.