With Crown Prince Mohammed bin Salman, the de facto ruler, eager to rebrand conservative Saudi Arabia as a global arts destination, officials are heaping previously unheard-of opportunities on Mater and his peers.
n one of Saudi artist Ahmed Mater's best-known works, a silhouette of a gas pump morphs into a man holding a gun to his head –- a clear critique of oil's damaging influence.
Yet for several years, most Saudis couldn't see the piece, titled "Evolution of Man", as local curators deemed it too sensitive to show in the oil-reliant kingdom.
Its inclusion in a recent exhibition in the capital Riyadh is just one sign of changing times.
With Crown Prince Mohammed bin Salman, the de facto ruler, eager to rebrand conservative Saudi Arabia as a global arts destination, officials are heaping previously unheard-of opportunities on Mater and his peers.
They unveiled the latest on Monday: a plan to feature Mater and another politically minded Saudi artist, Manal AlDowayan, in a series of permanent installations in the deserts outside Al-Ula, a budding tourist magnet in the northwestern Medina region.
To critics of the Saudi royal family, such projects smack of "artwashing", an attempt to launder the image of a country notorious for silencing dissidents, most notably slain journalist Jamal Khashoggi.
But for artists like Mater, the state backing is a welcome relief after years of straining to reach Saudi audiences and cultivate a vibrant domestic arts scene.
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