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View all search resultsThe Metropolitan Museum of Art exhibition uncovers how Disney artists have for decades drawn from the lavish Rococo style of Sevres porcelain and gilded sofas.
hat was the inspiration for the talking teapots and singing candelabra that populate Walt Disney's movies? A new show in New York suggests they can be traced back to antiques and artwork that the animation master encountered in Paris as a young man.
The Metropolitan Museum of Art exhibition uncovers how Disney artists have for decades drawn from the lavish Rococo style of Sevres porcelain and gilded sofas, as well as from Gothic Revival architecture and medieval influences.
From Snow White and the Seven Dwarves (1936) and Sleeping Beauty (1959) to Beauty and the Beast (1991), the show explores how Disney classics have mixed fantasy with detailed research.
Curator Wolf Burchard said he believed Disney artists and their 18th-century colleagues were connected not just by their style, but also by a wish to "address our emotions and not our intellect."
The show, which opens on December 10, exhibits 60 works of 18th-century European art alongside 150 Disney production works.
Born in Chicago in 1901, Walt Disney made his first trip to France in December 1918, shortly after World War I, as a volunteer for the Red Cross. He returned to Europe in 1935, and then multiple times after World War II.
What begins as a small grammatical curiosity becomes a larger question about language, culture and the way we understand ourselves in relation to others - and, ultimately, about what we risk losing in a world increasingly impatient with reflection, ambiguity and the humanities.
A breast cancer diagnosis, a journey to the kingdom of the sick and a determination to describe what lies there without metaphor, euphemism or the word “fight.”
Richard Mille’s newest ultralight timepiece pares down haute horlogerie to its mechanical necessities, proving that sophistication often comes from knowing what to leave out.
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