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'Sirnaning Pageblug' leads wayang theater to virtual horizons

Arising from creative necessity amid the current restrictions, Wayang Orang Bharata's Sirnaning Pageblug (Vanquishing the Epidemic) has broken through the digital divide in traditional theater.

Tertiani ZB Simanjuntak (The Jakarta Post)
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Thu, July 2, 2020

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T

he restrictions on social and physical activities currently in force have unexpectedly given new hope to wayang orang artists.

 

Prabu Corona Birawa, with his iconic red face, has proclaimed his malicious intent to steal Dewi Wara Sembadra from her husband, Prince Arjuna. In the deadly fight that ensues, Arjuna uses all his might to defeat the evil Corona and save his princess.

The story is a classic one that has been used over and over in many works of literature or action film, but it is not simple to deliver virtually as a wayang orang theatrical piece.

Wayang orang is a Javanese operatic dance theater that traditionally presents dramas adapted from the Mahabharata and the Ramayana epics. It is usually performed in an informal setting, where the audience sits or reclines on the floor before a low stage to watch the hours-long show, throwing cigarette packs stuffed with cash onto the stage at the end to show their appreciation.

Live action: Protagonist Arjuna fights against the evil Prabu Corona Birawa, who tries to take Dewi Wara Sembadra away. (National Geographic Indonesia/-)

Sirnaning Pageblug (Vanquishing the Epidemic), which was streamed via Zoom on June 27, presented a completely different can of worms.

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